The first step in any timber floor restoration project is to survey and assess its current condition.  This involves historic research to understand the original techniques and materials and an examination of the floor, identifying any areas of damage.

The condition of the floor is then documented through photos, reports, and sketches where appropriate.  This serves as a valuable reference throughout the restoration process and ensures that all historical details are understood and preserved.

There are some cases where the floor will need to be removed temporarily to address any structural issues.  Each section of floor will be careful labelled and stored so that it is replaced back to its original position and orientation.  Additionally, flooring may need to be re-laid if wooden boards have shrunk, often as a result of central heating which removes moisture from the air.  Damaged sections of timber will be repaired using traditional methods which are sympathetic and appropriate for the type of material.  It is a priority of ours to conserve as much of the original timber as possible and only replace that which is beyond repair.

The final stage involves applying a suitable finish, such as oil or wax to provide protection to the restored floor and ensure the correct aesthetic is achieved.

As with all heritage projects, timber floor restoration is not without its challenges.  Finding suitable materials and skilled craftspeople can be difficult and we may find further issues once the floor has been taken up, which could not be seen previously.  However, with Quadriga’s vast experience, dedicated team of in-house specialists and commitment to tackling the skills shortage, we can restore these beautiful floors to their former glory, using time honoured techniques and appropriate repair methods.

If you have a historic floor you’d like some advice on please get in touch via our Contact Page.

Following the success of a heritage morning in Birmingham in 2019 and Leeds in 2023, we chose to organise a similar event in Liverpool, centred around the decarbonisation of built heritage, an area at the top of clients’ agendas.  This topic can be complex and intimidating with a plethora of information available but little clarity on what this means for the heritage sector in particular.  Therefore, this event offered a novel opportunity to learn from industry experts, all focused on demystifying this complex topic to reassure and empower attendees.

The morning was held at the stunning Grade I listed Liverpool Cathedral, in a key Northern Powerhouse city which is currently developing five times faster than London.  When we consider Liverpool’s ambitious Net Zero Carbon target of 2030, it’s clear that decarbonisation, restoration and improved thermal performance of the city’s traditional buildings needs to be top priority.

We were delighted to be joined by experts in the field of energy efficiency, decarbonisation and retrofit:

Quadriga Contracts Ltd (Lindsay Law: Managing Director) – Lindsay introduced the morning, discussing the urgency of the climate emergency and the pivotal role the decarbonisation of built heritage can play in meeting net zero targets.  The presentation covered embodied energy, the behaviour of traditional buildings and how a fusion between traditional craftsmanship and modern technology can provide solutions to the decarbonisation of built heritage.  She also set out the skills shortage currently facing the sector and how Quadriga are helping to tackle this through various initiatives.

AtkinsRéalis (Mark Postill: Decarbonomics Delivery Lead) – Mark introduced the innovative Decarbonomics platform and consultancy which provides solutions to building owners and portfolio managers looking to decarbonise their building stock. Mark focussed on the effective and sympathetic decarbonisation of built heritage and demonstrated how Carbon Data Insights can forecast future carbon and energy improvements by using existing data.  This innovative software will change the way carbon and energy considerations are considered in everyday strategic business cases and decision making

Selectaglaze Secondary Glazing (Darren Berryman: Sales Manager) – This presentation advised on all elements of secondary glazing in heritage buildings, including the creation of good specifications on projects requiring improved thermal performance.  Darren outlined the performance levels which can be achieved through the use of secondary glazing, its benefits, potential limitations and more technical aspects such as fixings and design considerations.

Lime Green (Dominic Putnam: Head of Marketing and Business Development) – This presentation covered Lime Green’s Warmshell internal wall insulation system which is designed to improve the thermal efficiency of traditional and solid masonry wall construction using natural wood fibre material.  Dominic provided a comprehensive overview of low carbon retrofit projects within the heritage sector and how Warmshell insulation can significantly improve the thermal performance of heritage buildings.

We hope that everyone left the event feeling empowered to tackle projects requiring the decarbonisation of built heritage and made some valuable contacts and connections in the process.  The feedback received was very positive and we’re looking forward to running more events like this in the future, as net zero targets loom.

If you would like to be kept updated on events and don’t already receive emails from us, please get in touch with Laura Brown on laurab@quadrigaltd.com to ensure you don’t miss out on future events.  You can also join the Heritage and Conservation Networking LinkedIn Group using the link below.

https://www.linkedin.com/groups/8682099/

Here’s a run-down of 5 of the most remarkable and interesting religious, spiritual and holy sites in Britain.

Stonehenge

Of course, we couldn’t leave Stonehenge off the list.  Arguably the most famous sacred heritage site in the UK, this prehistoric henge in Wiltshire is a UNESCO World Heritage Site visited by 800,000 tourists a year.  It is believed that the construction of Stonehenge was carried out in phases with a circular earth bank and ditch built around 5,000 years ago, followed several hundred years later by around 80 bluestones being raised into place in a circular formation.  The third phase took place around 2000 BC and during this time sarsen sandstone slabs were arranged in an outer crescent.  Some were arranged in structures of three, in the centre of the site; the trilithons we now associate with Stonehenge.  The huge sandstones weighed up to 40 tons with the tallest measuring 24 feet and it is believed they were sourced 25 miles away.  The bluestones were smaller but were found to have originated over 200 miles away in Wales, leading scholars to wonder how prehistoric people transported these 4-ton boulders so far across the UK.

It’s likely that different groups or tribes of people contributed to the construction of Stonehenge, but its overall purpose is still shrouded in mystery.  There is archaeological evidence of the site having been used as a burial ground, but most historians and scholars believe there is more to it.  Perhaps it was used for ceremonies or as a destination for religious pilgrimage, maybe a site for our ancestors to commune with their ancestors.  In the 1960s, astronomer Gerald Hawkins suggested the placement of the stones correlated with astrological events such as solstices and eclipses.  Although this is still a contested point, many people nowadays make the trip to Stonehenge every year to celebrate the summer and winter solstices and reconnect with their spirituality.

Shrine to Sulis Minerva

The city of Bath was built over hot springs which have likely existed for tens of thousands of years.  Prior to the Roman invasion of Britain, the Celts held the springs sacred believing them to be the work of the Celtic goddess Sul, associated with fertility, healing and medicine.  Celtic coins found at the site suggest offerings or a means of communication with the goddess.   When the Romans successfully invaded Britain in AD 43 they set about creating cities and convincing the natives to integrate themselves into the Roman Empire.  One way in which the Romans achieved this was through the adaptation and subsequent Romanisation of Celtic traditions and beliefs.  When they discovered the springs at Bath, they renamed the town Aquae Sulis and merged their goddess Minerva with the Celtic goddess Sulis.  Sulis Minerva was born!  A temple to Sulis Minerva was created at Aquae Sulis and became a focal point for worship; not only would people visit to enjoy the restorative qualities of the hot spring, but pilgrims would also visit to pay their respects to the goddess.   There was a courtyard surrounding the classical style temple with a great altar in front which was the focus of sacrifices, worship, rituals and ceremonies.  There was a cellar under the temple where the cult statue of the goddess was kept in a windowless room, illuminated only by the sacred fire that burnt before it.

The temple of Sulis Minerva was an important worship site until the late 4^th century AD when Christianity was gaining pace and pagan traditions were increasingly marginalised.  When pagan temples were forced to close in AD 391, it fell into a state of disrepair and sadly collapsed.  Some remains of the temple courtyard are kept at the Roman Baths Museum.

Lindisfarne

Known also as Holy Island, Lindisfarne is an island off the coast of Northumberland, only reachable across a causeway at low tide.  The island is first mentioned in the 6^th century AD and was a focal point of Celtic Christianity after a monastery was founded by St Aidan in AD 634, with monks travelling from other communities to live there.   Cuthbert moved to Lindisfarne where he ran the monastery for a time and was revered as a spiritual guide and healer. When he later died on a nearby island, his body was returned to Lindisfarne and buried there.  As people visited his grave to pray, there were claims of healing miracles and so it was decided that 11 years after his death his remains would be exhumed so he could be declared a Saint.  The declaration of his sainthood was not only a day of celebration but a day of shock because when his coffin was opened, his body was complete and undecayed.  St Cuthbert became the most important and popular saint of Northern England and Lindisfarne cemented its role as a major pilgrimage site.

The priory at Lindisfarne was home to beautiful manuscripts believed to have been written in the 11 years after Cuthbert’s death, alongside treasures for religious ceremonies and other precious items when the vulnerable island found itself victim to a Viking raid in AD 793.  The monks living on the island were murdered and their relics and treasures stolen.  This raid was not only physically devastating but also psychologically, as pagans had attacked one of the country’s holiest shrines and St Cuthbert had not intervened.

A few decades later, the surviving Lindisfarne monks left the island, carrying St Cuthbert’s coffin and other treasures that had been spared for 7 years until they finally settled in Chester-Le-Street, Durham.  St Cuthbert’s remains were moved again in AD 995 and enshrined in Durham Cathedral where they remain to this day.

Durham monks briefly returned to the island in the 12th century, establishing a new priory in 1150 on the site where St Cuthbert’s shrine is said to have stood.  Even visiting today, you get a sense of the sacred importance of this beautiful island.

Stones of Stenness

Considered the oldest henge monument in Britain, the Stones of Stenness on Orkney are the remains of a huge stone circle on an ancient ritual site.  Visiting today you can see four upright stones in a circle which would have originally contained 12 boulders, the tallest of which is 6 metres.  The stones are part of the Heart of Neolithic Orkney World Heritage Site and date back to 3100 BC.  The ditch around the Stones of Stenness is 2 metres deep with a diameter of 44 metres and due to it sitting lower than the water table, it would have constantly been filled with water.  There is speculation that this water was considered a gateway to the spirit world or that this ditch separated this ritual site from the outside world.

In the centre of the circle is a stone setting reminiscent of a prehistoric hearth, suggesting that something was burnt here possibly in sacrifice or ritual; bones of cattle, sheep and wolves, pottery and charcoal were found in the hearth.  We may never know exactly why these henges were constructed but it seems likely that they were sites of ceremony, ritual and perhaps burial with the stones seen as possessing magical properties, something which survives in folklore to this day.

A nearby stone known as the Odin Stone had a circular hole in it and was visited by local couples who would hold hands through the gap as they got engaged.

Creswell Crags

Creswell Crags is an enclosed limestone gorge on the Derbyshire/Nottinghamshire border containing several caves that were lived in during the last ice age approximately 40,000 years ago.  One of the caves, Church Hole contains the oldest verified cave art in the UK including depictions of animals amongst abstract and potentially religious symbols.  Since then, locals and visitors have passed through the gorge, leaving their marks carved into the rock.

In 2019, hundreds of symbols and marks were found carved into the walls and ceilings of the caves.  They ae believed to be Witches’ Marks or Apotropaic marks (from the Green apotrepein meaning ‘to turn away’).  These marks are often discovered at entry points of older houses and churches to protect those inside from evil spirits.  The collection at Creswell Crags is believed to be the largest collection of Apotropaic marks found anywhere in the UK.  Some of the marks found here allude to the Virgin Mary, likely in response to illness or other hardships.  In the past, people feared what they could not explain, and this included much of the natural world; it is possible that locals feared what might be lurking below the ground or in the twists and turns of the rugged natural landscape. The number of marks suggests either a significant place of protection or a place of fear, we may never know for sure.